AUGUSTE RODIN (1840-1917)
In between Romanticism and Impressionism this self-willed Frenchman created some of the most famous pieces known in the art of sculpting. He was very talented at conveying feeling in his compositions by emphasizing gesture. Also, his rough surface texture with deep hollows added strong shadows and naturalism to the human form. Rodin's goal, as he put it, was "to render inner feelings through muscular movement." He achieved this aim by joining his profound knowledge of anatomy and movement with special attention to the body's surfaces, saying, "The sculptor must learn to reproduce the surface, which means all that vibrates on the surface, soul, love, passion, life...Sculpture is thus the art of hollows and mounds, not of smoothness, or even polished planes.
GUSTAV KLIMT (1862-1918) was a prominent member of an innovating group of artists called 'Sezession' and is considered to be one of the main pioneers of modern art. Apart from this, his ornamental Jugendstil style evokes an irresistible feeling which is inspired by the 'fin-de-siecle' of 19th century Vienna: elitist, liberal-middle class, decadent, pleasantly-decorative. His work is extremely recognizable due to his monumental style combined with Byzantine-like ornamental art and classical symbolism, created against the background of romanticism which was so characteristic of his time. In Sezession's own words: "Art guides us to an ideal realm, the only place where we will be able to find pure joy, pure happiness and pure love. A choir of angels from paradise. Joy given by divine sparkles. That kiss from the entire world!"
AMEDEO MODIGLIANI'S (1884 - 1920) work is recognized immediately by many people because of the typical elongated shapes. His paintings show his passion for sculpting, a craft which he had to give up in 1915 due to ill health. He was born in the Tuscan town of Livorno and received his academic education in Florence and Venice. In 1906 he established himself in the famous Montmartre area in Paris, where his talent was instantly recognized by the East European avant-garde.
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